Most people reading this blog will know that I am a founder of the company that makes Flyfi.com (basically a vastly improved reboot of the old Goombah site).
In the last couple of weeks we have added enormously to the site, including improved recommendations. If you haven't checked it out, please do!
Here's a note I wrote to introduce it to some high school friends who I recently reconnected with on Facebook:
Hi Everyone. You may remember me playing my guitar in the hallowed halls of B.H.S. In college I became interested in math & computer technology, and in recent years, I've come full-circle by finally merging my interests. I've co-founded a music-oriented Internet startup. Our product is FlyFi.
Our VP/Industry Relations who, in a former life, earned 10 Grammy nominations as a producer, is now dedicated to using his industry connections for getting us the highest quality free music collection on the Internet. We've got great indie artists like Ani DiFranco, some well-known, others up-and-coming. Unlike some of our competing services you don't just hear the music for free -- you can also download many tracks as free legal MP3's.
My area of focus is our music recommendation technology, which lets you type in artists you like and get music out that you'll probably also like. I love music from many genres, from the Beatles to Beethoven to John Coltrane to Leonard Cohen. But I think there are underlying commonalities in the music I most love, regardless of genre. So we have statistical algorithms that try to find music that has those commonalities for each person's tastes.
Over the last 6 weeks or so, I've been completely wrapped up in putting the finishing touches on the first full release of FlyFi (which is why some of you may have noticed that my Facebook communication flow has dropped pretty much to zero). It's out now, ready for your perusal.
You may have heard that all 30GB Zunes died last night and will be working properly again 24 hours later. In case you're interested, the C function that caused the problem is displayed and discussed at ZuneBoards.
Basically, somebody did a poor job of leap-year handling.
Last week I mentioned a statement out of Hillary's campaign that was so cynical I found it downright revolting. I'm following up today with a statement from Hillary herself that appears to be a blatant lie.
"I remember landing under sniper fire. There was supposed to be some kind of a greeting ceremony at the airport, but instead we just ran with our heads down to get into the vehicles to get to our base."
--Hillary Clinton, speech at George Washington University, March 17, 2008. [Democratic Underground]
I don't know what to say other than that I don't want another unmitigated liar in the White House. Especially one who seems to be running partly on the idea of being an especially smart person, but who isn't tuned-in enough to know that her lies are often of such of a nature that they can be quickly exposed by the media. (There are plenty of other lies coming from her or her campaign that I'm not taking the time to mention here.)
Which brings me to another point. As everyone knows, the Internet is a hugely important factor in this campaign. For instance, most campaign money is now being raised through the Internet.
Sometimes people explain the Clinton's campaign approach as being based on old-school politics. Perhaps, they say, if they were of today's generation, they'd be different. It may be that Hillary has simply been trained over decades that this is the only way to win an election, and that with a different experience, she would have taken a very different approach.
I am willing to hypothesize that the main difference is the Internet. For instance, in the old days, Obama's speech in response to the Wright flap would have been seen by very few people. Instead the TV networks would run a few sound bites, and spend most of the air time conducting interviews with analysts saying that the speech wasn't going to make any difference because the Wright sound bites are much more powerful than any that could be culled from Obama's speech. (Which is basically what is happening network news today.)
But almost three million people have accessed the whole speech on YouTube. It's a great speech. Some have said it's brilliant.
I'm not sure I'd classify it that way. To me, it seems more like a reasonable and intelligent person talking directly to us as if we, too, are reasonable and intelligent. And that is historically so extremely unusual in American politics that by contrast, it's as if it is brilliant, even if it's "only" reasonable and intelligent.
He assumes what the television networks do not: that Americans have an attention span that can tolerate thoughtful speech for more than 10 seconds. But that's also the speech's drawback from the old-media perspective: there aren't many (any?) sound bites that can be extracted from it. It would not have been effective in the old-media days except for those few who would go to the trouble of finding and reading the whole thing in a newspaper. And historically, that group has not been enough to reach the critical mass that determines elections.
The ability for any American who wishes to to conveniently see such a speech is a potential game-changer, particularly because those viewers have the ability to tell their friends (and readers, in the case of bloggers) what they think. The availability of such materials on the Internet (including such materials the expose of Hillary's Bosnia lie), added to word of mouth, means that the possibility for a new style of politics is here.
I believe Obama's success so far in this campaign is a result of that possibility reaching actual fruition. I believe that we may be entering an era where lies will be less commonplace and more quickly exposed. And where the result of that is that people are elected to high office who are more honest in their approach because the old style just won't work as well. People who are fundamentally dishonest will be less likely to succeed; and those who aren't won't be trained to believe that dishonesty is the only way to win.
But a key step in that equation is the word-of-mouth piece. Sound bites on the media are still extremely powerful. Most people will still not view Obama's race speech on the Internet; they'll see the Wright sound bites on the networks. So the availability of materials like this on the Internet is not enough. Word of mouth is also required. As Obama says, "We are the solution." Those who don't view the materials directly can hear about them from those who do. Hopefully they will be inspired to view the original materials for themselves. But if not, they can still be moved by hearing from those who have done so.
Either way, it's good. Anyone who shares the information is helping the process, one way or another. Obama's success so far indicates that the two factors, combined, can reach critical mass. I think it's time to hypothesize that this election is already historic, and potentially world-changing: we may be entering a time when our elected officials will be... better. To a nontrivial degree. Nothing is ever perfect and utopia never arrives. But better is good.
Think of the music industry. The Internet is truly transforming it. There is absolutely no reason to assume that the same can't happen for politics, and for reasons that are not dissimilar. It just isn't as obvious, yet, what is changing and why.
We all have to chip in, though, to make it happen. And that's why I am posting this today.
There have been rumors making the rounds that Apple has been looking at offering a music subscription service as an alternative to its so-called “a la carte” model where iTunes customers pay a flat fee for every song they buy. Naturally the a comparison with RealNetwork’s Rhapsody service comes to mind.
But now there’s a report from the Financial Times that suggests that Apple is instead looking at another model: Charge an extra premium for the iPod or iPhone device, and then offer consumers full access to the entire iTunes music library. It’s similar to a deal from phone maker Nokia. But the FT says the big difference is in scale. Nokia is said to offer a pot of money that amounts to $80 per device, and then divide the pot among the record labels according to market share percentages. Apple’s proposed rate is said to be closer to $20, which makes a lot of sense. Of course they’re pretty far apart on what constitutes a reasonable rate.
...
Meanwhile, I can’t help but remember that Steve Jobs years ago derided the idea of “renting” music. He often hates something before he loves it. Remember when he said music was a background activity and that as such video wouldn’t make sense on the iPod? It wasn’t long before Apple launched TV shows on iTunes. Yeah. It’s like that. This story is probably true. [BusinessWeek]
In a post entitled "Steve Jobs vs. Subscriptions" I once argued on this blog that a subscription model is superior, and that despite statements to the contrary from Jobs, it was for temporary, tactical reasons that Apple wasn't already moving in that direction.
I listed a number of reasons the subscription model is superior. The first comment to that post was from someone purporting to be Steve Jobs who said "And here's one reason it isn't superior: when I stop paying all the music goes away." (Personally, I see no reason to think it wasn't the man himself; that's something he has said in other contexts as well.)
My response was: "But, unless you were planning to stop buying music piece-by-piece, you'll be spending money in the future on music anyway. And I, for one, have no such plans. So, I don't see how the 'when I stop paying all the music goes away' has much merit in the real world."
I subsequently heard from some folks who claimed that they never needed to buy signficantly more music than they already bought in college, so in fact, they said, the Jobs argument was true for them. I find it hard to believe anyone is really like that, but I suppose some people are.
Others argued that subscriptions cost too much. My reply was basically that that was an illusion, undoubtedly brought on by the high price of the first subscriptions services. There was no reason that subscriptions had to remain that high -- if you thought they were going to, you just weren't thinking ahead enough. One solution, I argued, was to have different tiers of service.
The model of tacking $20 onto the price of an iPod/iPhone fulfills that promise in a big way -- although it's so cheap it even eliminates the need for different tiers. According to the BusinessWeek article, folks in Europe tend to buy new cell phones every year, so at least for that group it's equivalent to a $20/yr subscription fee.
But, more likely, the music access would be time-limited and when it expires, Apple would offer a renewal on an annual basis.
I don't know if Jobs is able to do a deal with the labels that really gets the pricing down to that level. But if he can pull it off, it will be a huge step forward. (At least for those music lovers who also like Apple hardware! A group I happen belong to -- my family owns two iPhones, three actively-used iPods, two Apple TV's, and three Apple laptops.)
Update: It looks like it's not actually going to happen in the near future, but the idea is being "kicked around":
According to a story in the Financial Times, Apple (AAPL) would charge enough for iPod and iPhone devices to cover the cost of licensing entire music collections. It would use that premium to create a pool of revenue, a portion of which would be divided among the major music labels, the newspaper said.
Trouble is, no such talks are under way, according to people familiar with Apple's plans. An Apple spokesperson declined to comment. Insiders at major music labels were similarly dismissive. One person familiar with the matter said the idea of subscription plan has been "kicked around" for about a year, but said there have been "no meaningful discussions" on the subject. [BusinessWeek]
I continue to think that the long-run outcome will probably be some kind of iTunes music subscription service. This recent "kicking around" is a first step.
Jazz and smooth jazz are very different things. People who like jazz very often dislike smooth jazz. (Frankly, I can't stand it, though I listen to jazz quite a bit; for example John Coltrane's "A Love Supreme" is one of my favorite recordings of all time.)
The term "Smooth jazz" seems to inspire controversy. Normal jazz purists contend that smooth jazz is, in actuality, not jazz of any kind, regarding it as a misleading marketing buzzword that represents an attempt to hijack the ostensible prestige of jazz in order to sell what is really a form of "elevator music". They consider the smooth jazz genre uninspired, lacking the depth of expression, harmonic and rhythmic sophistication, and complex improvisation that are hallmarks of traditional jazz; substituting, at times, trite and hackneyed musical phrasing.
But there is no ID3 tag for smooth jazz. Id3 tags include one for Rock, and also distinguish many different kinds of rock (Southern Rock, Hard Rock, Progressive Rock, etc.). Many of those rock subgenres share fans much more readily than jazz and smooth jazz do.
This seems to me to be a significant oversight in the ID3 tag definition.
If any readers know who to lobby to change this, please let me know -- I think this could be a helpful change for music software.
Interesting research showing very positive correlations between musical tastes and certain predicted personality traits:
While videos and photos are good for assessing conscientiousness and extraversion, music preferences beat them in allowing observers to predict the participants' own ratings of their agreeableness, emotional stability, and openness to experience. In all, observers' ratings of participants were positively correlated with 14 different personality traits, including those listed above, as well as others such as forgiveness, imagination, and positive affect. [Cognitive Daily]
I haven't posted in quite some time, for several reasons. First, I'm working really hard and it's been hard to find time to post. Possibly a bigger issue is that when I'm posting much less often, I find that I lose the blogging mindset. Yet another thing is: I think all day about my company's technology and plans, but can't post about those because they're secret for the time being!
In any case, I ran across a project called python-safethread today. Its intention is to make a version of Python that does without the GIL and has modern constructs for concurrency. Its home page lists some of its major features:
Exceptions from threads propagate naturally and cause the program to shut down gracefully.
No memory model is necessary. All mutable objects are safely contained with monitors (similar to Concurrent Pascal's monitors, but different from Java's monitors.)
Deadlocks are detected and broken automatically.
Finalization is thread-safe (and uses a much simpler mechanism at a low-level.)
Most existing single-threaded code will continue to be correct (and in good style) when used amongst threads. Some boilerplate may be necessary to share module and class objects between threads.
The GIL is removed. Each additional thread should run at or near 100% throughput. However, the base (single-threaded) throughput is only around 60-65% that of normal CPython, so you'll need several threads for this to be worthwhile.
The author says that he's aiming to make it an alternate CPython version ala Stackless, but hopes to incorporate it into mainstream CPython at some point. Right now it's at a very early state of development.
It sounds like a very interesting project, and I thought it was a good item to post about after all this time.
Microsoft is in the business of manufacturing monopolies. Ever since the deal with IBM that launched Microsoft as we know it today -- the deal where Microsoft sold PC-DOS to IBM but could also sell a fully compatible MS-DOS to other manufacturers -- their prime focus has been on that one task. Why do you own Word? If you're like most people, it's not because Word is the greatest word processor in the world for the money, it's so that you can exchange documents with the rest of the world. Everybody has Word primarily because everybody has Word.
Now imagine a world in which everybody had Zunes. You could exchange songs via wi-fi with anybody you want (OK, only for 3 days/3 plays). In that world, if you were the one person without a Zune, there's a good chance you'd want to have one. The lock-in is not as great as it is for Word, but it's the same idea.
Of course, today, the Zune's wi-fi is almost completely worthless because there is no local density of Zunes. But Microsoft is looking ahead to the time that they already have a critical mass of Zune owners. Then wi-fi will be the ether through which user interaction supports their monopoly, just as document exchange plays the same role for Word.
Of course, this all depends on the Zune getting to critical mass. My bet is that it will never happen, because there is little reason to choose Zune over various competitors today. While Microsoft's patented monopoly-machine thinking is clearly visible, in this case it seems more like wishful thinking.
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